I wrote Invisible Boys because I wanted to show the world that boys and men suffer, and how our suffering shows up in various ways.
Sometimes our suffering makes us small and quiet and self-loathing, like Zeke.
Sometimes it makes us angry and confrontational, like Charlie.
Sometimes it just makes us seem like arrogant “dickheads”, as many people have described Hammer.
In almost all cases, however, men and boys suffer with one almost universal commonality: we usually do it in silence.
This silence is killing us. Suicide is the biggest killer of men under 40. We’re taking our own lives at a rate TRIPLE that of females, and this stat has not budged for AGES.
We don’t open up and say how we’re feeling, and I am convinced, in my bones, that if we gave ourselves permission to be vulnerable, and boldly tackle what’s going on inside, we would help ourselves to suffer less.
I believe developing the muscles required to be vulnerable makes a man more masculine, not less. The willingness to bare our souls, to face what is within us – whether virtue or demon – makes us braver and stronger and more assertive and more powerful. And yep, more manly. 💪💪
So today let’s acknowledge that the struggle is real for men and boys all across this fucked-up planet – not just gay guys, but all guys.
And in all the earnestness of this post, let’s not forget that today really ought to be a celebration of men and our awesomeness, not just a lamenting of our issues.
So here’s to all the legendary blokes out there, being heroes and lovers and fathers and sons and brothers and soldiers and healers and leaders and artists and sportsmen and dreamers. Here’s to the blokes who are tough as nails and those who are gentle as a feather. Here’s to the slack and the ambitious, the pristine and the traumatised, the stoic and the empathetic, the passionate and the larrikin.
Here’s to us men, being what proud of what we are and working hard at what we could become. 💪💪
So pumped to share the latest chapter in my author interview series, Holden’s Heroes.
This series focuses on fellow writers from my #5amwritersclub, and this month I’m stoked to be chatting to the woman who started all the #5amwritersclub craziness here in Perth. This month’s reluctant blackmailee technically consenting participant is my friend Lana Pecherczyk – an author whose work spans multiple genres, but almost always involves sexy heroes, thrilling action and kickass heroines. Lana also describes herself as a big fan of ‘pro-caffeinating’.
Let’s dive in and find out more!
Holden’s Heroes ~ August 2019
Holden: Lana Pechercyzk, welcome to my house! Don’t mind the cans of pre-mix whisky and cola all over the patio – that’s just me failing to clean up after Alicia Tuckerman came to visit. Anyway, welcome to my crib.
Lana: Thanks for having me here, Holden. And I don’t mind a bit of mess. In my opinion, it’s a sign of a creative person. Well, at least that’s what I tell my husband!
H: I’m going to start claiming this, too – although my husband is also a creative, so we’re just screwed. Now, tell me about your writing: you write both urban fantasy and paranormal romance. What is it that attracts you to these genres, both as a reader and as a writer?
L: The action, the magic, the romance. Basically, it’s those three things that you’ll find in most of my work. I’ve always been a huge fan of the paranormal, and if I have to pick a movie to watch, it’s always got to have heart pounding action and suspense. When I grew up, firstly, I didn’t have a TV for many years, so I lived through the character’s lives in books. As I got older, we had a TV, but I had to share it with five other kids. In the end, I preferred the adventures in my books.
H: I’m hearing you about the growing up with lots of other kids around – why compromise when you can have the book world all to yourself, right? Speaking of, your own book world is impressive: you’re incredibly prolific as an author – seeing how many books you’ve already published is absolutely staggering and also makes me want to weep with envy as a fellow author. What’s your secret?
L: Well, I wasn’t always a prolific writer. It took me three years to write my first book, and I redrafted it eleven times. With every book, I get faster and better. The secret is to keep going. Don’t look back. As Nora Roberts said, “You can fix anything but a blank page.” So keep writing.
H: Maybe a more pragmatic question for me to ask should be what’s your process that enables you to achieve such a great rate of output?
L: Don’t freak out and don’t read your reviews. After the first novel, I freaked out. I thought it would fly off the shelves. I thought everyone would LOVE IT! Of course, it dribbled off the shelves. I took it hard and spent the next two years not writing anything!
Then I met some amazing authors at RWA (Romance Writers of Australia) and learned that’s just the writing business. Most authors in Australia make a poor income. If I wanted to actually make more money, I had to push myself. Treat the writing as a business, and turn up Monday to Friday, nine to five. I block my writing in a schedule (I don’t always keep it, but I try) and I put that schedule up on the wall where I’ll see it daily. I also have some great friends who push me and encourage me. I think you’re familiar with the #5amwritersclub on Twitter, Holden 😉
H: I am indeed – in fact, we’re both part of the club, though let’s face it, we don’t always wake up on time. What made you join the club, and what made you stay?
L: I’m not sure if you’re aware of this, but I think I was one of the first in Perth to use the hashtag (in relation to our little group).
H: I was aware you were one of the early adopters, but I didn’t know you were the one to blame for all the early starts I’ve inflicted upon myself this past 18 months, ha!
L: I was on one of my writing binges (deadline looming) and was a bit lonely that time of morning. I got up early to beat my kids before they wake for the day, used the hashtag (when I should have been writing) and Louise Allan was up and noticed. She joined in and then we found more Perthites, and more. Don’t you just love social media?
H: I remember you all ganging up on me and saying I had to join you. I have to be honest – I really didn’t want to. I felt like waking up at 5am would be hideous. But when I saw how many of you there were I was like “these could be my people”. And the desire to find my tribe was stronger than the desire to sleep in. I don’t regret this at all, now, even if I struggle to check in all the time.
L: I must admit, that lately I’ve been drowning a bit in other jobs and responsibilities, so getting to the group isn’t always easy, but that’s the great thing about the friendly group of writers… you can just drop in any time, and everyone is very welcoming. Find your tribe! And if you can’t, jump onto someone else’s. Another great hashtag on Twitter is #amwriting.
H: Finding your tribe needs to be one of the things we tell other writers more often, I reckon! Okay, let’s talk about your Paranormal Romance series, The Deadly Seven. You’ve released three books in this series already, as well as a novella. What was the inspiration for this book series, and what can readers expect next?
L: This is the first series I’ve gone, you know what? I actually LOVE superheroes, and I LOVE romance! I wish there was story behind Lois Lane and Clark Kent. You watch the movies, and you see the pivotal influence the love interest has on these heroes, but we never really give credence to it. That’s what I wanted to do. And I amplified it tenfold in TheDeadly Seven.
The inspiration for the type of heroes came from the words “deadly sin” and I just thought one day, wouldn’t it be funny if they were actually deadly? Then that sparked the entire series plot around genetically modified heroes who are created to defeat deadly sin in the crime drenched cities.
Usually I get my ideas from songs, believe it or not, so this was a bit different.
H: I really love your inspiration about them being *actually* deadly – what a cool concept. I think there’s a perception that Paranormal Romance refers solely to Twilight and vampire stories of that ilk. Have you come up against pre-conceived notions of your genre previously and how do you tackle this?
L: I have a bad habit of writing between the genres. I don’t stick solely to one, and it’s hard to market my work. But I swear I’m getting better at this with each series. I think you get these sort of confusing comments from readers when you haven’t marketed your book in the correct genre, and you haven’t managed expectations. It’s important to let readers know in the blurb, and with your cover, what story they’ll be reading. I’m very clear that my new series is a superhero romance, so that I don’t get any hardcore superhero fans reading it and complaining that there’s kissing scenes in there. Lol.
H: I’m thinking of that moment in The Princess Bride. Is this a kissing book?
L: If you do get some strange comments, then I think it’s important to take a look at your branding, and work out whether you were throwing out a mixed message. If you’re clear, then, my advice is to ignore it. Sometimes haters just gonna hate.
H: Agree. The other main genre you write in is you also write Urban Fantasy, with your The Game of Gods What’s the best part about writing fun, action-driven stories like these and how does it differ from your romance novels? Less kissing?
L: Okay, so both my series have crazy amounts of action in them. The difference with the romance ones is that they spend a little more time on the relationship. When I write and read these scenes, I feel as though I’m in the thick of the action. My brain fires better! If only I could have that amount of clarity all day.
I actually find fight scenes and love scenes don’t differ too much. When you drill down to the basic core reasons for these scenes, you find the best fight and love scenes both get your heart racing, both should only be in the story if they move the plot forward, and both have crazy amounts of tension, and both start with characters wanting two very different things. It’s just a different kind of battle *winky winky*.
H: Battle … now there’s a new euphemism for me to use for it, haha. You also have another book out called Robin Lockslay, which is described as a fun, gender-bending twist on the evergreen Robin Hood story. I’ve noticed the enormous popularity of fairytale retellings over this past decade. What’s the appeal of revisiting these very old stories and giving them a modern twist?
L: This was so much fun to write and I will get back to it. I’ve been getting rapped over the knuckles by a writer friend who’s helping me stay on one genre track. Fairytale retellings are not only a familiar story for the reader, but familiar for the writer. You’ve got a guideline to follow, and creating characters and plots completely from scratch isn’t needed. The story comes easier.
H: There’s also that concept of having an pre-prepared audience: if people like that particular fairytale, they’re more likely to pick it up, right?
L: Readers like to relive their favourite characters over and over. I think that’s the beauty of retellings. You get to do it all again, but a little bit different.
H: You’ve been incredibly prolific and are having a lot of success as an indie author. What’s it like being an indie author and how do you manage your time between creative practice and admin and marketing duties?
L: Aw thanks. I wish I was super successful money wise, but I think I’m on the right track. As long as I keep consistently putting out work, I’ll build a loyal readership. With managing my time, I’ve learned by trial and error. Always learn! Never believe you know everything. The writer that does that will be the writer to fail.
I’ve learned about my own process. I know that if I stop, get distracted, or don’t have a deadline … I just find other things to fill my time. So, I block in my writing first. Then I limit myself to only a certain amount of freelance or book cover design hours a day. Getting out of the house, and away from the internet and design computer has been the best tip I’ve received to keep my writing on track. I like to go to a cafe, sit in the same booth, put my headphones in and listen to the same piano music of pop songs, and then write. When I don’t get out of the house and go to writing “work”, I inevitably get distracted.
H: Distraction is the devil! But some distractions – like socialising with other writers – can be beneficial. You’ve previously been involved with the Romance Writers’ Association of Australia in a committee role, and recently went to their annual conference in Melbourne. Tell me, what is the importance of writing organisations like the RWA and how has being involved helped you?
L: RWA helped me find my tribe. Writing is a solitary gig. It’s lonely and also one of the industries where you really need that feedback from peers – even if it’s a friendly bit of encouragement. And writers love to talk about writing. I don’t know about you, but I find that my non-writer friends (and family) quickly became fatigued with all my writing talk when I first started.
H: Oh man, yes, this exactly. I used to talk about my writing to my non-writer mates and family and a small few of them would listen, but most would look at me like, ‘Shut up. I don’t care.’ And it’s true. They really, really don’t care and most of them don’t get why we want or need to talk about it. And yet we listen to them talk about their jobs, but hey, that’s a bitter tangent for another day, haha.
L: But your writer friends will listen to you drivel on and on FOREVER! It’s amazing.
H: Agree. Tribe stuff again.
L: When I first joined RWA, I didn’t know anyone (naturally) so I put up my hand to volunteer. It’s the best way to network, be helpful and to learn from the best. I highly recommend it. You only need to write romantic elements to become a member. You don’t have to write full on romance. The organisation is open to many people.
Plus, if you meet a group of friends, it’s a business meeting and you can claim it on tax. True story. (Insert witty reference to consulting your accountant for official advice here!)
H: Consult your accountant for accurate tax advice, please, readers! So, Lana, we’ve so far talked about your writing, but you also work as an illustrator and design your own book covers. I love your covers, not just because they feature hot guys, but because the artwork is really damn cool. Did you study drawing or is this something you’ve nurtured yourself? Do you do commissions, or just prefer to draw for yourself?
L: The hot guys really make it! Would you believe I still get embarrassed when I create them? I can’t believe I write romance sometimes! Lol.
Here’s a story for you. When I studied Fine Art and Fashion Design (these are just a few of the subjects I studied when I should have been writing), and I had a nude life drawing class, I would leave the butts for last. They had to be perfect every time! My teacher would always give me stick for it, and I never even knew I was doing that until he pointed it out in front of the whole class. “Lana, why do you save the butts for last?”
H: You have no idea how happy I am that we’ve ended up talking about butts, Lana. This is totally on-brand for me.
L: Anyway… that’s enough about butts. Yes, I studied art. I never believed I was good enough to write. That little voice inside me said I had to be a fantastic literaty (see? I don’t even know the right word there), but eventually I gave it a shot, and I discovered a huge factor in successful writing – it’s not always about the words, but the feelings.
H: Totally agree – I’m personally drawn to writing that evokes emotions effectively rather than writing that is technically beautiful and literary but doesn’t move me. Speaking of being moved by things, your bio paraphrases the English theme song of Sailor Moon, which is just awesome. Are you a big fan of Sailor Moon and has this or other anime influenced your writing?
L: Sailor Moon is my boo! She got me through the tough times of my mother and grandfather passing away when I was younger. She fights for love and justice. As a young girl growing up, I think it was important to see a good female role model. She was the kick-ass savior, not the man (Tuxedo Mask), although he does make a gratuitous appearance every episode to give her a little bit of supportive encouragement. Lol. As you can see, big Sailor Moon fan. I also loved many of the old school anime.
H: I feel you and my husband would get along well – he’s a big Sailor Moon fan. I used to dig it too, back in the day. Now, the first time we met in real life was at the West Coast Fiction Festival in November last year. What do you enjoy about days like that when you get to meet readers face to face and sign their books?
L: I love chatting to people, readers and writers. These events are great for meeting both. There’s nothing like talking to a reader who loves your book. It gives you a real boost, and sometimes, just one letter or email, can give you the fuel to write for weeks. I think these events are just as much about the readers as the writers. And I loved meeting you! You have such energy, I’m sure you’ll be the life of your book signings this year!
H: You’re too kind. *bounces off the walls* I can’t wait to have people read my book and actually tell me what they enjoyed. How about you – what’s your favourite thing that someone has said about one of your books?
L: Ooh, that’s a tough one. I love it when they say they couldn’t sleep because they had to stay up and read to find out what happened next, and next, and next! I also love it when they fall in love with my heroes. That means I’ve done my job to make them realistic and full of depth. To be honest, I love it when any reader contacts me. I’m lucky that I haven’t had the dreaded author hate mail yet, so fingers crossed I stay away from that.
H: Long may your inbox remain hater-free. So what are you working on next?
L: I’m currently working on my fourth book in my Deadly Seven series. It’s called Sloth and focuses on one of the two female heroes of the group. Being so heavily dominated by men, she’s dealing with a lot of self-pressure to perform at their level. I love to layer in real topics through my books, so it’s not all smash, grabs and stabs. And of course, being affected by the sin of sloth is another battle she has to win. I have eight books in this series planned, all about 70-80K words. Hopefully I’ll get the rest out next year.
H: I am seriously so impressed with how quickly you can write!
L: I’m also polishing a romantic comedy called Hate Expectations. It’s something I wrote a few years back when I was confused over what genre to target. Rather than letting it sit in the drawer, I’m going to get it ready to see the world. That’s the beauty of indie publishing!
H: Yes, it really is. Trad publishing is far more glacial – even once a manuscript is accepted for publication, it can be 12-24 months before it hits the shelves. Indie publishing gives you more control in that respect. Okay, we’re down to my final question: what advice would you give to new writers who are just starting on their journey?
L: Don’t read your reviews. I think I mentioned this before, but if you’re the kind of person who is affected by reviews, don’t read them. It’s an irrational thing for me. I know sometimes the review is wonderful, I still have trouble distancing myself from my story. I can’t explain it, but I know that I get massive imposter syndrome, and self doubt. So, for me, the easiest thing is to just stay away from that section of Amazon and Goodreads.
H: I’ve heard this from so many authors – to stay away from Goodreads – but I don’t think anyone has managed to do it successfully yet. Not entirely, anyway.
L: The second thing is: the minute you finish one book, write the next book. Don’t stop to market it. Do the marketing while you’re writing the next book. The longer you wait between books, the harder it is to get back into it.
Thirdly, hire an editor. If you’re just starting out, hire an editor to whip that first manuscript into shape. Every time I think I’ve written the best book, my editor will come up with ten ways to make it better (often more!) You learn better when you hae an editor, and unless you’re JK Rowling, you can always learn to be better. (Her name is Ann Harth, and she’s currently open to new business. Look her up!)
H: Solid advice – all authors need our editors to not just save our arses from rogue typos, but also craft our narratives into more compelling stories. Lana Pecherczyk, thanks for coming over to my place – it was awesome to get to know you better. Care for a drink or two?
L: Oooh, don’t mind if I do.
H: What’s your poison?
L: I’ll have the Diet Coke, thanks. And maybe a gin on the quiet, but not Coke and gin together. That’s gross.
H: I’ll keep your cheeky gin quiet. It’s just between you and me, and all the people on the Internet reading this, haha. ^_^
L: Thanks for having me, Holden. I love your work and enthusiasm. I think you’ll do amazing things with that attitude and I wish you all the best.
H: Ah, cheers bud. Means a lot and I’m really touched. Thanks for agreeing to the chat!
L: Next time you can come to my place. Just watch the land mines from the dog, and lost Lego from the kids. Peace out!
H: Floor lego! My old nemesis!
~ Social Media Links ~
I hope you enjoyed this interview with the lovely Lana Pecherczyk. She’s a force to be reckoned with in the world of Aussie paranormal romance, and she’s great to interact with on the socials, so here’s where you can give her a like and a follow:
Just came across this blog post from one of the Year 12 students I met in June at my old high school. She wants to be a writer too and seeing this post totally made my day, so I wanted to share it!
Good morning, afternoon, evening or whatever time you read this dear reader.
Guess what! I met a real life author! I mean you probably did if you were in the same room as me last Friday.
The imageabove is a lovely photoofformer Nagle student,award winning and soon to be published author, Holden Sheppard,and yours truly, me.
Holden’s novel,InvisibleBoysis described as “a punch in the face”. Which seems appropriate. I won’t give any spoilers, but the book describes the inner turmoil, struggles, and dilemmas of three youngmen in rural Australia as they come to terms with their identity in the society which demonises them.The content is unique with a letter seeping into the narrative of the chapters and a mystery revealed at the end. A book launch is happening on the 29thof October at theGeraldtonRegional…
So pumped to share the latest installment in my blog interview series, Holden’s Heroes.
Firstly, I should mention that sometimes I get overwhelmed by simple things in life. This has led to me developing habits like responding to text messages five days later as if nothing has happened and it’s only been five minutes. For today’s post, I’ve decided to take the same approach. It’s been a few months since I posted my last Holden’s Heroes interview, and I’m just gonna strut back in here with my Oakley sunnies on and my shirt collar popped and a cigarette dangling from my gob and act like that’s what I planned to do all along. Okay? Sweet as.
So, this interview series focuses on fellow writers, and I’ve spent 2019 chatting with members of my #5amwritersclub. This month’s terrified abductee legally willing participant is my mate Alicia Tuckerman – a talented YA author, talented mother and talented lesbian (I’ll take her word for it) who is also a raging coffee addict and dad joke enthusiast. Let’s dive in and find out more!
Holden’s Heroes ~ July 2019
Holden: Alicia Tuckerman, welcome to my house! Um, look, first up, sorry about the mess … there is seriously just crap everywhere. In fact, I probably haven’t cleaned properly since Raihanaty A. Jalil came to visit … looks like the dregs of our peppermint tea is still in the bottom of those tea cups, ecch. I’d like to say I usually clean for guests, but I’d be lying.
Alicia: That’s alright mate! I had all my booster shots when the kids were small!
H: Booster shots? You underestimate the biohazard that is my house, I’m afraid … but please, make yourself comfortable. Okay, let’s jump in. You’ve had so much going on lately, I almost don’t know where to begin! I’ve really been enjoying your guest blogs for Margaret River Press during July. What have you enjoyed about that process, and is blogging something you have done on a regular basis previously?
A: I’ve had my Facebook page going for a couple of years now and while the posts aren’t typically “blogs” they do have that feel about them. Where I really just monologue about random stuff! I’ve really loved the opportunity to write for a different audience with the MRP blogs. The idea that other authors and writers would be able to relate to anything I have to say still blows my mind. I have to admit that the weekly deadlines have not been my favourite thing and I’ve seen a couple go rushing by, but I’ve really enjoyed it.
H: In your latest blog post, you referenced that famous Douglas Adams quote about loving the sound deadlines make as they go rushing by … I think we can both relate, ha! I believe the MRP guest blogging gig came about because your short story “Glass” is appearing in an upcoming anthology they are putting out later this year. “Glass” is a really moving short story and I feel privileged to have had the chance to read an early version of it. Can you talk about this story – what’s it about, and what was the inspiration?
A: Writing a short story was so ridiculously hard! And I tried really hard to not write “Glass”. I had a few different ideas and I tried to write those stories and they were good stories but Glass… well, it just wouldn’t bloody leave me alone. Pass the chips would ya?
H: As long as you don’t eat the last ones, or I’ll have a food tantrum. There ya go, enjoy the Doritos. And please, go on.
A: “Glass” demanded to be written and so the day before the deadline I gave in and it just fell out of me. “Glass” is kind of a break-up story and I didn’t want to write it because I went through one myself recently and I was worried people would assume the story was mine. It’s a story about what happens after a break up, when everything is so raw and fresh and jagged. When you’re terrified about what comes next but you can’t stay where you are and you’re learning what it is to heal. It explores that moment you start believing that maybe one day you won’t feel so broken and you might even be whole again.
H: That’s intense, and dealing with an adult break up is quite different to say, dealing with YA relationships like those in your first published novel, If I Tell You. Glass is probably more pitched at an adult audience. Was there any shift in your writing process, or thinking process, when you crafted “Glass”?
A: As I said, I had a few other stories that I was going with for the MRP collection and they were YA or New Adult stories. And I had wanted to write those (and who knows maybe I will turn them into something). But “Glass” had other ideas and once I stopped fighting the words, they just came and I didn’t really have to do much at all! I wish it was always that easy. Maybe I should give an adult novel a crack?
H: If by adult novel you mean full-blown erotica, I’m down for that. I’d also be okay with a grown-up contemporary fiction, which is more likely what you actually meant. Speaking of being a grown-up, I recently saw you on stage at the Centre for Stories interviewing YA author Mark Smith. Your delivery was so funny and perfectly timed and it definitely got the audience on side.
A: You’re being kind mate! I reckon I tanked so bad at that event! But thanks for boosting my ego.
H: You totally didn’t … this is one of those “writers are their own worst critic” scenarios. Are panels and public speaking gigs like this something you’d like to do more of in the future?
A: Yeah for sure! You know I love to talk and I love the chance to talk about things I’m really passionate about. You and I have an event later in the year at Crow Books and I’m doing a gig with your better half, Raphael, in October talking about the books that changed our lives. And really I’d love to do heaps more speaking gigs for sure! So anyone reading this—hit me up!
H: Go ahead people and book her, she’s stellar. Alicia, speaking of things that are stellar (my segue skills are off the charts today), let’s talk about your debut novel If I Tell You (Pantera Press, 2018). You’ve received some amazing reviews for this book, and it was even shortlisted for the WA Premier’s Book Awards. Congratulations! What does it mean to get such recognition?
A: It’s so wild! And unbelievable to be shortlisted. To go into the State Library and see a sticker on my book was a dream come true. And whilst I didn’t take it out, it was an honour to be named alongside the other amazing shortlistees. Renee Pettitt-Schipp’s book was so poignant and a very deserving winner.
H: Absolutely, huge congrats to Renee – great recognition of her book and as I said, the shortlisting itself is a real achievement for If I Tell You. Your novel was one of my favourite novels of 2018 and I talk about it a lot, just so you know. This is a bit of a Sophie’s Choice thing to ask, but who were your favourite characters in the book? For the record, I had a crush on Justin (but only in the early parts of the book), and found Lin to be the funniest part of the book.
A: Well Justin’s a hot guy (so I’m told)!
H: He is. I like my bogan boys.
A: And despite his … opinions … he’s not a bad guy. That was important to me, that he wasn’t completely irredeemable.
H: Yeah, I really liked this – there was nuance to Justin, even if he was a bit of a douche at times.
A: But I loved them all, they lived inside my head for ten years and that makes me sound like a crazy person but sometimes I miss them a little bit now they’re out in the big wide world on their own. And of course I have big soft spots for Alex and Phoenix and their love story but one my favourite characters to write was definitely Lin.
H: Yesss. I am a big Lin fan club member. Lin for PM.
A: I think everyone needs a mate like Lin, who will defend you to the end but also tell you when you’re being a dick. I also really loved Alex’s Dad, Andrew and Gilly and Van… And I think I’ve mentioned them all now which was probably not the point of the question!
H: Um, yeah, you’re kind of cheating now, but I’ll roll with it because hell, we make the rules here. Tell me, what’s your favourite thing that someone has said to you about If I Tell You?
A: I love a good ego boost as much as anyone. I love hearing anything good about my book, that someone has enjoyed something that came from my head and heart. But what really gets me in the feels is when someone goes out of their way to message me and tell me that my book has helped them or that they have seen themselves in my book. I’ve had so many messages from young people who are struggling with their identity who have said that my words have given them strength and that’s more than I ever dreamed of.
H: I totally get that. It’s what we hope for when we send these hyper-personal stories out into the world.
A: There’s this one message that sticks with me from a girl who contacted me on Instagram after Sydney Writers Festival last year. She’d come to hear my panel and she had my book with her and wanted me to sign it but she was with her mum and she was too afraid to come over to me in case her mum made some sort of connection between me and her. Because I wear my identity on the outside. Then she messaged me again a few months later to say she’d come out and everything was okay. Not great but okay—and sometimes okay is enough. It’s a start. And that, that right there really is enough to make up for my one star reviews or people not getting it. If I can help one person feel better, to be brave when they don’t know what is waiting for them after the fall, then I’m happy.
H: That’s unreal – this shit changes lives. You’re right to feel special about that. Okay, let’s shift gears, because I know you’re working on a second novel, because we’ve both bitched and moaned over coffee this past year at how hard second novels are. Can you give us a hint of what kind of book it will be, and how it’s progressing? Apologies in advance if this question sends you into a full-blown shame spiral and/or nuclear meltdown.
A: You got anything stronger than these cans of export mate? Might need a whisky to get through this one, haha!
H: Answer the question, Tuckerman, and you can have all the whisky you desire.
A: Well, it’s safe to say it’s taken far longer than I thought it would, but it’s getting there. It’s about a sixteen year old girl learning to accept the changes and challenges in her life following a pretty brutal car accident. Before the accident she was a soccer player with dreams of playing for her country and well, now that won’t happen. It explored grief and jealousy and the idea of participation. The idea of not needing to be the best at something to be able to love it. There’s a good handful of LGBT+ characters and themes but this isn’t a “coming out” story. And there’s some love/lust thrown in for good measure, because I love writing kissing scenes! Now… where’s that whisky!?
H: Terribly sorry to pull a GLaDOS on you, but the whisky was a lie. I need you relatively sober to answer my remaining questions. One thing I’ve noticed is that you write about lesbian characters in an authentic way that is often grouped in with the #ownvoices movement. What would you love to see more of when it comes to lesbian characters being represented in literature/culture?
A: There’s no argument that If I Tell You was a coming out story. It’s a book about being young and gay in rural Australia and what that can be like. But what I hope to write more of now and see more of, are YA books about sport or crimes or drugs and sex where the characters are gay, but it’s not about being gay. Or not only about being gay.
H: Totally agree. I kind of feel like us gay authors in particular sometimes need to write the coming out story – or some version thereof – first, maybe, because we can move on to those more nuanced depictions.
A: Being gay is no different to being straight and I think people—including myself—can sometimes be attracted to the drama of a coming out story or a story about overcoming adversity because those stories allow for us as authors to really take the character on a journey. There’s a lot of scope for drama and it’s tempting to write in that space. But teenagers—gay or straight—have a whole lot of other crap going on I’d love to write about.
H: Agree. Let’s touch on process now. We are both part of the same #5amwritersclub though we’re both, uh, a little lax about attending regularly. What made you join the club, and what made you stay? Was it my constant gym selfies?
A: Hahahaha! Well, we both know that every time I see you I get a front row seat to the gun show!
H: *kisses his own biceps*
A: It’s definitely your hot bod and constant innuendo that keeps me coming back for more!
H: Innuendo? You mean in your endo. Okay, go on, we have people reading this who are probably less vapid than us. Maybe. What keeps you coming back to the #5amwritersclub?
A: I think it’s the collegiate feeling I get, even when we’re just pissing about on Twitter instead of being productive. I stay because we’re family. Up until I released If I Tell You I didn’t really have many writer mates, people who I could talk to about stuff that non-writers just wouldn’t understand in the same way. I craved that community, that connection with people—my people—to provide friendship and support and cameraderie while we all go along this crazy ride of self-loathing, rejection and a tiny bit of success.
H: More than a tiny bit, in your case! What’s something you’ve learned in the past year or two about writing that you wish you’d known before getting published?
A: I think it’s the pressure I wasn’t prepared for. Not external pressure but internal and self-imposed. See, I had my whole life to write my first book but now I’ve done it I feel I need to back it up with more books quickly so that people don’t forget who I am! There’s a lot of pressure in my head and that doesn’t lead to very good writing. So I think I need to relax a little and let it happen more organically. I’ve also learned that you can’t actually survive on coffee and zero sleep!
H: Yeah, that shit will catch up to you. I remember you talking once about how your idea for a novel was shelved for many years until you were injured and had so much time on your hands you decided to write it. Do you think that Alicia would recognise the Alicia of 2019? And I guess my biggest question: where does Alicia Tuckerman want to be five years from now, in 2024?
A: I don’t think the Alicia then is too fundamentally different to the Alicia now. I’m definitely older now and not just in years. Since then I’ve had relationships and kids, I lost both my parents. I’ve experienced heartbreak and loss but also great happiness and joy and I think the Alicia then is still the Alicia I am now, just different. But I change and grow every day, that’s what makes life interesting. As for the future, there’s a plan. In five years I’ll have finished at least another two books and Netflix will have brought them all and I’ll be living on a farm in the Swan Valley with heaps of cool outbuildings that I’ve converted into little writing retreats. My kids will be running wild and I have a pet miniature donkey called Switch [don’t ask me why Switch because I literally don’t know—that’s just his name].
H: That is … oddly specific. The donkey’s name, I mean. And the existence of the donkey at all, actually. The rest sounds relatively in line with what I might have expected in your answer.
A: Well, that’s the dream plan. Reality probably doesn’t look quite like that, but really the only plan I have is to do more of what makes me happy. Write more, spend time with my kids and people I care about.
H: Sounds solid. Okay, like a true investigative journo, I’ve saved the hardest-hitting question for last. 1990s pop group Alisha’s Attic had a hit song called “Alisha Rules the World“. Tell me honestly, have you ever listened to this song to boost yourself up before a public speaking gig?
A: Oh you know I have!
H: I KNEW it!
A: But I wish they’d spelt my name right. And it totally pumps me up, but let’s be real here, the song’s about a badass heartbreaker and I don’t think I’m fooling anyone in that regard, hahaha!
H: Alicia Tuckerman, it’s always a blast shooting the shit with ya, mate. Thanks for coming round. The whisky’s up for grabs now – wanna stay on for another drink, maybe some light spooning?
A: Sounds great, but you know I’m the big spoon!
H: Well, this conversation has taken an unfortunate turn. Maybe with some whisky in me I won’t mind being the little spoon …
~ Social Media Links ~
I hope you enjoyed this interview with the amazing Alicia Tuckerman. She’s a true talent in the YA literature space and not just fun to chat to – she’s even more fun to interact with on the socials, so here’s where you can give her a like and a follow:
I even type the word “gratitude” hastily, almost looking over my shoulder in case someone catches me doing it, because I think I was raised (socially/culturally/familially) to see this concept as a bit granola-y, you know?
Like, if I talk about feeling grateful (ecch), it’s a slippery slope to aura cleansing and essential oils and crystal therapy. From there, of course, it’s only a hop, skip and a jump to having a man bun and drinking kombucha.
Worse than that, I was scared that if I ever wrote about feeling grateful for what I have, I would lose it. It sounds superstitious to write this, and is probably a chunky insight into my shattered-glass psyche, but even now as I write this, I am scared that when I hit “publish”, the universe or God (or the therapy crystals, those malevolent fuckers!) will turn on me and take away everything good in my life.
I wasn’t raised to talk about the good things, because that’s showing off and attention seeking, and I grew up learning that pride comes before a fall. No pride, no fall, right?
However, I also wasn’t raised to talk about the bad things, because that’s dwelling on the negative and navel gazing and also, somehow, attention seeking. You just get on with it.
Sidebar: when I look at these two statements, I can only conclude that I was essentially raised not to talk.
But talk I do, now.
In any case, I think I’ve learned over the past few years – through writing my blog posts, through being more open on social media, and of course through my writing of novels and short stories – to talk about the hard stuff, the darker side, the bad shit. It’s been cathartic and revelatory and a constant undulation of learning that it’s okay, and survivable, to feel the full spectrum of human emotion.
But I don’t know if I’ve ever learned how to write about feeling good.
I realised this recently when a wave of the much-maligned gratitude smacked me in the face with the force of a tsunami, and I could barely hold it together.
It happened, of all places, at Disneyland.
This was over a month ago, when I was on my honeymoon in Europe, and we arrived in Paris for the final week of our holiday. I mentioned something to my husband about following him around France to various pop concerts of his choosing, and he suggested I should choose an activity for us while we were in Paris.
The first thing out of my mouth was, “I wanna go to Disneyland.”
This was unexpected, because Disneyland has never been on my radar. I’ve been to Paris twice before and never had any intention to visit it. In fact, in 2013 I was at the train station that takes people from Paris to the theme parks, and I remember seeing the parents with their prams and kids hanging off them like saddle bags and thinking, “That seems like actual hell on Earth.”
And to be honest, I’ve always been fairly critical of the commercial apparatus behind the Disney machine: I don’t like how that studio has taken over so much of Hollywood, how its influence and control sweeps over so many franchises. My first thought of Disneyland was the No Doubt song “Tragic Kingdom”, taken from their hit 1995 album of the same name:
Once was a magical place
Over time it was lost
Price increased the cost
Now the drawbridge
Has been lifted as the millions
They drop to their knees
They pay homage to a king
Whose dreams are buried in their minds
His tears are frozen stiff
Icicles drip from his eyes
The king being Walt Disney; his frozen tears a reference to the urban legend that he was cryogenically frozen upon his death in 1966. (Which, holy crap, I only just discovered was not actually true(!?!), but that’s a discussion for another day.)
The point was: I was a bit cynical about the Disney corporation and yet, when I was given carte blanche to choose anywhere I wanted to go in Paris, I chose Disneyland.
Because, being on my honeymoon, I was in a five-week long permanent good mood, and honestly, fuck the cynicism and shit, I just wanted to go have some fun.
So, the husband and I finally arrived at Disneyland Paris on a cool June day. As soon as we got off the RER train and walked out into the open air, I could feel the sense of excitement building in my limbs.
“I want to explore the village first, before we go into the theme park,” I said, like an absolute geek, but I just needed to know that I had walked around every square inch I was allowed to.
So we did: briefly exploring the retro restaurants and cafes and sports bars of the Disney Village like the kid who keeps his shiny collectible in the box and presses his nose to the plastic, scared to ruin the anticipation of finally opening the new toy.
And while we were still in the village, in one of the giant shops filled with Disney merchandise, the wave hit me.
It was partly the nostalgia factor of seeing so much Aladdin and The Lion King merch on display in the shop. They were the defining Disney animated films of my childhood; Aladdin was the first movie I ever saw at a cinema when I was 4 or 5. I remembered the first time I’d heard of Disneyland. Back in the days of VHS tapes, they used to have advertisements for Disneyland before and/or after the film, so in that moment in the World of Disney shop, it came flooding back.
The memory of being five years old, and seeing all these kids and families having an epic time at Disneyland, and knowing that would never be me.
It would be misleading to pretend that I grew up in some impoverished situation, because I didn’t. But I grew up in an isolated town and we weren’t the kind of family who could afford to fly overseas and go to Disneyland. So, I think I grew up learning that lots of things in life were out of reach for someone like me, and Disneyland and Europe were two of those things.
I had never realised it had imprinted on me in such a way until this moment.
So while my husband was blithely scoping out the merch, I felt a tidal wave of happiness splash over me, gently at first, almost like a fresh dew.
The wave said to me:
Sometimes, we do eventually get what we want. Isn’t it nice?
And then, suddenly, there I was, choking back tears in the Disney shop, surrounded in all directions by those stupid fucking overpriced mugs and Mickey Mouse-embossed glassware while A Whole New World played over the speakers.
Because the wave was right. It was really nice to, eventually, get something that you always wanted. It was a childlike, redemptive state to be in: that I had accessed some hitherto hidden pocket of joy that I had absolutely ruled myself out of experiencing when I was a young boy.
What a lucky doer.
I managed to contain myself, so when the husband decided he was done and we moved on to the next part of the village, I cracked jokes about how this place was so capitalist and how “moichandising” was “where the real money from the movies was made” (quoted in the voice of the character Yogurt from the 1986 parody flick Spaceballs).
But the wave wasn’t done with me yet.
As we walked, the gratitude just kept building inside me. The tidal wave was slushing through my body, a cleansing flood washing out all these other things in my life I had told myself I would never, ever have – except now, miraculously, I did have them.
I felt gratitude to be at Disneyland as a 30 year old man when I’d once believed I’d never have the chance.
I felt gratitude to be walking there, hand-in-hand with the man I love. The first time I came to Paris in 2006, I was with a man and later told myself this would be something I would never have again. I remember returning to Perth Airport after that backpacking holiday and squeezing myself back into my straight guy body, the spectral snakeskin of my old self that I would continue to wear for two years. I thought I would never get what I wanted – but now, here I was with my husband.
I felt gratitude that, after all the campaigning and trauma, I was now legally married to the bloke, something I grew up never even imagining as an option.
I felt gratitude to be in Paris, my favourite city in the world, a million miles from home.
I felt gratitude that my book had just won another award, that people were congratulating me and saying they wanted to read it, that it was actually finally getting published, when I’d been working on that dream since I was seven years old.
I felt gratitude that I was on my honeymoon and having the best five weeks of my goddamn life.
I felt so much gratitude I just wanted to get on my knees and thank God, or the universe, or the essential-oil-crystal-kombucha-auras, for letting anything this good happen to me. I didn’t feel like I deserved any of it, but I was so, so glad it was happening.
While all this was happening, my husband said he needed to pee. While he was in the toilet, I found a quiet corner at the side of a sports bar and let myself shake and cry tears of utter, unfettered joy. I had come to know pain and struggle intimately, but this feeling of being really, truly happy was brand new.
Crying finally let that tidal wave out of my body – and it swept away with it all the junk and detritus a man can build up in thirty years of hating himself, of being afraid, of thinking he will never get what he wants.
When my husband returned, I said I was ready to head into the theme park and enjoy our day at Disneyland. In fact, I decided I was ready to go on a real rollercoaster for the first time ever – something my anxiety had always held me back from until that point. But, in my freshly flooded state, I thought, “to hell with you, anxiety”.
No, more than that.
To hell with everything that ever held me back.
To hell with my own negative thoughts.
To hell with my fear that, if I’m grateful, and enjoy the moment, something will go wrong.
To hell with everything that ever stopped me just being a kid and having some fucking fun.
So I found the biggest, fastest, scariest rollercoaster there was – the famous Space Mountain, of course – and I went on it. We were seated right at the front and we hurtled through a pitch black tunnel at breakneck speed for two minutes, faster and faster, the force of the wind almost solid against our faces, the adrenaline giving me permission to shout and say the word “fuck” a lot.
And it was sick as, because with my arms strapped to my sides, there was nothing I could do but live in the moment and revel in it.
Well, this is exciting! One of the new things I wanted to launch in 2019 was an interview series with other authors, so I’m delighted to announce the start of a series I’m calling Holden’s Heroes.
This will be a regular series of interviews with fellow writers: I’ll welcome them to my “home” (virtually only, but let’s use our imaginations) and have some fun asking them all my burning questions. My favourite thing about interviews is when there’s some deeper or more personal insight than would usually be revealed, so coaxing out some of these insights is going to be my aim when interviewing my victimssubjects friends.
The aim will be for interviews to be published on a monthly basis, and I thought for 2019 I would begin by focusing on the fellow members of my #5amwritersclub. I’m calling this the “January” interview even though we’re in early Feb, so just go along with it, okay? Great.
I’m starting things off with my buddy Michael Trant – he has the fine honour of becoming the first ever featured author for Holden’s Heroes and chatting to him was as fun and fascinating as I expected. Let’s dive in and see what he has to say for himself!
Holden’s Heroes ~ January 2019
Holden: Michael Trant, welcome to my house and sorry the place is such a bloody mess. Please, don’t mind the piles of clothes and rubbish everywhere. I swear I’ll pick them up one day.
Michael: What mess? You’re talking to a guy who’ll buy more coffee cups just to avoid washing the pile on his desk.
H: Now, this explains why we’re mates. Okay, let’s dive in: your debut novel Ridgeview Station was published by Allen & Unwin in 2017, and it’s a cracking rural fiction read about life on an outback station in the Midwest. In your acknowledgements, you mention this is inspired by your time on Gabyon Station near Yalgoo. I am fascinated – what was it like living on, and running, a station?
M: To be honest most of the running was, and still is, done by my former wife Gemma. Having a station was always her goal, so that’s what we aimed for. And in 2009 we achieved that, though I spent most my time looking after our Geraldton farms so she could go up and help her parents who moved there. It is a great life, but it is very hard, and that’s something I wanted to put across in the book. Simple things like getting hot water, keeping the power running, even before you get to the actual working side of it. And just the sheer scale of those places. That’s why I rib you about your ‘huge’ drive down to Fremantle.
H: I maintain Butler to Fremantle is like The Shire to Mordor, but you’re a guest here, so go on.
M: Later on, after we had to sell the farms, I ended up working four and one FIFO to pay some bills. So really I only spent about a year fulltime on the actual station, but travelled up and back quite regularly. I do miss the place though. One thing I’ll always remember is the stars and the stillness. They run a station stay up there and I highly recommend it. It’s only *coughs* five hours from Perth. Not far at all.
H: Still closer than Butler to Freo, ha! I wanted to ask as well, since the novel is so heavily autobiographical – can you actually fly a plane? And also, did you actually fight off a bushfire?
M: I never did get my pilot ticket, but I was generally the one who went up with my father-in-law Mike as a spotter for the ground crews on motorbikes. Mike is getting on a bit, so I made sure to ask what everything did, you know, just in case we were 500 feet up and he blacked out or something. I figured I could land it if I had to, even if the plane may not fly again afterwards, but any landing you can walk away from is a good one. Thankfully I never had to test it, but not long after I left he was very lucky. Just after take-off a cable snapped and ploughed him sideways into the dirt, just missing a shed and the house. He was okay, but normally I’d have been with him, so who knows what might have happened?
The fire scenes are pretty much as it happened to us, with the exception of Ash’s near miss. I made that up for a bit more excitement. But we’d had record rain the year before, just as the book starts, and then it all lit up in the summer from lightening. We lost 80 000 hectares, about a third of the place. Unfortunately most of the scenes with the fire control officers I didn’t have to change too much. Murder was nearly done that week, I can assure you.
H: I was about ready to strangle those guys when I read the novel, so I would hardly blame you for a murder there. On a serious note with the autobiographical stuff, after you wrote this novel, you separated from your wife and left Gabyon Station. Is it difficult to look back on the novel and revisit these experiences from a distance?
M: It was extremely hard and I struggled. The publishing contract came through about five months after we split, which was fine, but the first round of edits hit six months later, just when the reasons for the split start to fade a little and you begin to look back with rose tinted glasses. I am very grateful our split has been mostly amicable, but at the same time when you’re not clawing each other’s eyes out there are times when it’s not easy either.
Coupled to that I attended a family funeral around the same time and it was like I’d never left. No animosity at all, just open arms from everyone. Plus I was working on a farm just down the road from where it all started which brought back more memories, so yeah, I wasn’t good there for a while and did some stupid stuff that hurt both Gemma and my current partner Kylie, but we got through it and I’m very grateful to get that sorted. And for Kylie’s understanding. Every event we go to she sits there and listens to me tell the same story about how Ridgeview came about. I don’t know how many other partners would accept that, but she does and I’m very appreciative of it.
H: I think we can all agree Kylie is a good egg! Speaking of good eggs, I really love a lot of the characters in this novel – especially Pete and Alexi, who are both foregrounded – but I seriously think Bull is the coolest character of all and I want to be him when I grow up. What inspired Bull and why do you think you’ve had such a response to him?
M: Bull’s just one of those real old school ocker kind of guys. I love him. Swears like a trooper, but immediately apologises for it if he’s in front of an older lady. Jovial and jolly, but not afraid to front up to someone if needed. He’s a combination of a few people, but mostly an owner-operator stock carter called Steve. He had this massive red beard and these two beautiful big Huntaway truck dogs.
The scene with Mork and Mindy towards the end came from his two dogs, and I’ll never forget his face when he told me that. I’ll also never forget when he shaved off his beard. I thought he’d put a new driver on until this pasty face man spoke.
H: There is a genuine, down-to-earth, masculine quality to your writing that I really enjoy reading – there’s swearing and humour and it’s the kind of humour I grew up with, being a Midwest boy myself. Is this something you consciously craft for your writing, or is it just something that seeps into your work?
M: Not intentionally, but because most of those characters were drawn from real people, or a combination of, I already knew how they spoke. I’m lucky in the fact that I’m very musical. I play, and I listen. John Harman, a Perth based writer who assessed Ridgeview early on and who runs very good writing courses, says ‘good writers do not have a tin ear,’ and he’s right. I can hear accents, how people phrase words when they talk, where they pause or run on, just as I can hear riffs and base lines under a melody. Alexi is a good example. She’s based off many backpackers we had through. People who come to English as a second or third language phrase things very differently to native speakers. ‘We go now then?’ as opposed to ‘So we going now or what?’ or ‘So we be going soon then, lad?’ if they’re Irish. But you have to be careful not to overdo it or its hard work for the reader. I toned Alexi’s dialogue back a bit in the final version after advice from the editors. I did refuse to change the phrasing of one of Kev’s lines though. I forget what it was, but is was worded extremely strangely and I said no, that’s how this guy speaks.
H: Speaking of editors, many readers of this blog will wonder what it’s like to be published by one of the bigger publishing houses in the country. What was it like to have your precious book edited, altered, packaged up, branded and sold?
M: I loved it. To finally have some guidance was so good. During the negotiations before a contract came through, my publisher Louise wanted to make sure I was happy to change a few things. Her opening email line was along the lines of ‘It’s really good, but needs a lot of work.’ My response was ‘You say jump, I’ll ask how high. You’re the experts.’ I had no idea what I was doing when I wrote the manuscript. I had multiple points of view in the same scenes, I took far too long to get the story moving and had pages of beautiful prose describing a stone tank. I think we ended up cutting about 15 000 words from the original submission, but replaced them with another 10 000. Less describing stuff, and more ‘stuff actually happening.’ Looking back, I think the start is still a bit of a slow burn, but once it ramps up it seems to hook people in.
Having the support of those who know what they are doing was invaluable. The cover design is amazing. I was always going to self-publish, and had a lovely photo of an old windmill that was going to be the cover, but when the email with the pdf came through I was stunned. And then to see it in a bookshop for the first time, I’ll never forget that. The first reader-submitted photo of it out in the wild came from Wagga-Wagga. Couldn’t think of a better place for it.
H: It would be surreal to reach that point. I’m in the editing stage for my novel at the moment, and part of me is like “there is no end to this”. Once your novel was published, did you look at it and think “it’s perfect”, or do you look at it now and still want to change stuff?
M: Haha, first page of my copy I opened had a bloody typo. No, I don’t think anyone is ever one hundred percent happy with their work, but I think it’s as good as I could do knowing what I did back then. I feel for those writers who launch their book while working on the next one. By the time launch comes, that book is way out of your mind, you’re already in another world working on the next.
H: Well, I am now dreading opening my book once it’s printed. The typos will scream at me, I’m sure of it. Okay, so I wanted to ask about your beginnings as a writer. You initially made the leap from farmer to writer when you started a successful blog a few years back. How did that happen and do you think blogging is important for authors?
M: I’ve always been able to pen something half decent, but mostly they were strongly worded letters to people who owed us money, or politicians. I think I get that from Mum. But when the whole live export thing blew up there were no farmers on social media, and as part of a push by industry to change that I started a blog, mainly just to give an insight into how things worked on a farm. It was mostly humorous anecdotes about what we were doing and why, but every now and then I’d pen something really serious. It kind of blew up, and through it we organised the biggest rally of farmers in Perth since the early 80s, and met the then Federal Agricultural Minister for a one on one discussion.
I think blogging is important, but only if you really want to do it. My original blog is mothballed now. I wasn’t going to post on it after I left the station, and the new one I created is sorely lacking in content, so I would suggest only do one if you’re prepared to put the effort in.
H [*looks wistfully at irregular blog post history*]: So, since Ridgeview was published eighteen months ago, you’ve been writing a lot. What new projects have you completed and what are you working on now?
M: Yeah, I actually listed them all the other day for this upcoming writer’s retreat and went, oh wow. I have actually been busy. So far I’ve finished (I use that term loosely) two novels; Ned, the life of a sheepdog from his point of view, and Fly-out Day, which follows a farmer struggling to balance work/life after taking on a FIFO job (sound familiar?). I’ve just finished the first draft on a third novel I’ve tentatively called Where Wild Dogs Roam, where an outback dogger stumbles across a people smuggling operation and is paired with an Afghani refugee as they try to find his family. This one took me ages to write. I kept getting stuck so in between I penned a novella called The Last Waltz, which I’ve set in a fantasy world based on Australian folklore. I’m really excited about this one, and am halfway through a second novella set in the same world. And this year I plan to do a narrative non-fiction piece on the rescue of a two year old boy who fell down a borehole in 1952. It’s an amazing story and I know some of those involved in the rescue. Finally I’ll keep pumping out short stories based around my Australian folklore/fantasy idea until I work out what to do with them.
H: Your pitch for a speculative fiction novella has just been shortlisted for the Drowned Earth novella competition – congrats mate! How does it feel, and what’s this one all about?
M: Stunned would be the word I’d use. When the email came it had the usual opening line. ‘Thank you for your submission etc etc we were inundated etc etc.’ Here we go again, I thought. ‘We are pleased to inform you…’ Wait what? So yeah, quite surprised. It’s an interesting concept. 9-12 writers are going to pen individual novellas about The Rise. The ice caps have melted much quicker than expected, so what happens next? Coastlines have flooded, hundreds of thousands of people displaced. I’ve always thought outback stations are the perfect setting for dystopian survival. They’re already pretty much self-sufficient so that’s what I pitched, a family living relatively unaffected until refugees turn up on their door step. Do they accept them or tell them to go back where they came from. I’ve got until March 3rd to pen a 1000 word sample, and we’ll see what happens, but it’s a great boost to my confidence, regardless of the outcome.
H: It’s a great boost, and you have other cool stuff ahead. My amazing literary agent Haylee Nash is running a writer’s retreat and I believe you’re flying over east to take part in it. What’s it going to be like, and what are you hoping to get out of it?
M: I’m really looking forward to this, particularly the sessions on pitching and the current publishing industry status. Unfortunately for me, my publisher resigned just as Ridgeview was released (completely unrelated, for sure) and I’ve kind of fallen through the cracks a little, so this seem a good way to get feedback and advice on some work from someone in the know. Rachael Johns and Josephine Moon are also presenting, and those two are great fun. I’m actually doing a talk with Rachael at Centre for Stories in early April, and really excited for that too. She’s been a huge help in the last year.
H: I’m going to that – should be a fantastic event. Tickets are available here.
M: Ideally what I get out of the retreat would be for Haylee to read my samples, go absolutely nuts over them and sign me up there and then. But I’ll settle for solid advice and some direction for the coming year. I’ll be dropping your name so hard your ears will hurt, by the way.
H: Hey, I have no problem with that – namedrop away. Although I’m way behind on my deadline for the next novel, so mentioning my name *may* make my agent snarl something like “that bastard owes me a manuscript”. So, namedrop at your own risk.
Something I just thought of … we’re both Midwest boys – should I dig up my old Akubra some day and we can take our books for a tour in the bush?
M: Absolutely. We’ll load up the ute and hit the dust. They won’t know what hit them. Are you sure you’re up for the road trip though? I mean, you consider Fremantle practically in another state, and that sort of trip length would get us to Bindoon, which I still consider suburbia.
H: Don’t forget I’m a Midwest boy myself – I hate long city drives, but I’ve done more road trips between Geraldton and Perth than I could ever count! Hmm, I suspect we may start quibbling on the road trip. Let’s move on. What made you join the #5amwritersclub, and what made you stay?
M: Peer pressure. I am a procrastinator, so posting a pic of me writing then having fellow writers saying ’See you tomorrow!’ makes me get out of bed and sit bum on seat. I haven’t been doing much of it lately because I’m fortunate to work flexibly, so I’m writing during the day at the moment. But when I head up to Three Springs I’ll start getting back into it. Urgh. I hate mornings. What makes me stay is the awesome people I met through it, such as yourself, and just having that support group around really helps. Published, unpublished, all writers go through the same problems, and sharing them really helps. And while I think of it a huge thank you to fellow member Bec for putting me onto the Drowned Earth competition.
H: Bec is a legend, and she has agreed to be interviewed on Holden’s Heroes in a few months’ time, so stay tuned.
Meantime, Mike, we’re nearly done with our chat. I want to ask you what advice would you give to aspiring and emerging authors who are just starting out – or, rather, what do you know now that you wish you’d known right at the beginning?
M: Be patient. Don’t send of unfinished work in a rush because you’re afraid you might miss out. Finish the manuscript and stick it in a draw for a month or more. More is better. Read it with fresh eyes and tighten it up again. Because it will need tightening. Then get other writers or avid readers to read it, and listen to their advice. You don’t have to accept it but if three out of four say it’s a little slow, they are probably right. And if you find a reader who is not afraid to be blunt, hang on to them.
Read. You have to read. You can’t improve your craft if you don’t observe how the pros do it. Last year I burned through 600 hours of audio books at work and learned so much. I can see it in what I’m writing now, it’s much tighter the first time around.
Find your writing tribe. Pretty much what I said about the #5amwriterclub. You’ll be surprised how common your problems or concerns are, and when something goes really well for you they’ll understand just how big a deal it is.
H: So agree, especially the last one – sometimes I’d tell non-writer friends my good news about a mentorship or residency and they’d be like, “okay … is that a big deal?” But writer mates totally get it, and get almost as excited as you do.
Okay, final question: I’m a big believer in goal setting and dreaming. Tell me, what would you love to have accomplished five years from now?
M: Firstly, getting something else published, or at least contracted to publish. That’s this year’s goal. But in five years I’d like to be able to repay Kylie’s faith in me. I quit a six figure FIFO job, not just to write, but partly because of it. It’d be nice if one day she had the option to do the same on the back of that faith.
H: What a poignant note to finish on. Michael Trant, it’s been awesome having you over for a chat and thanks for being so generous in your responses. Care to hang around for a drink? What’s your poison?
M: Been a pleasure. I’ll have whatever is cold, wet and free. I post a lot of Emu Export pics, but just quietly those are usually provided by work. I don’t normally drink the stuff, but when in Rome, as they say …
H: Bushchooks it is! 😉
~ Social Media Links ~
I hope you enjoyed this interview with the wonderfully talented Michael Trant. He’s a top bloke and even more fun to interact with on the socials, so here’s where you can give him a like and a follow:
Great blog by my Twitter bud and fellow author Lauren Keegan about the experience of having a manuscript professionally edited. I’ve had this done before and it’s so worthwhile if you can find a way to spend the money.