Writing When the World’s a Tyre Fire

I’ve worked out why it’s been so hard to write lately. 🧐🧐

I’m not alone. I’ve spoken to or heard from so many other authors who are finding themselves stymied and creatively paralysed in the face of the global catastrophe we are all witnessing playing out around us in real time.

These past few weeks, I’ve been intensely tuned into what’s going on in the world, scouring and refreshing news feeds to find out the latest on this crisis.

But when I focus on facing outwards, it makes it impossible to look inwards. And that’s what I need to do to write. Although I believe good writing comes from scars, this doesn’t mean I need to suffer while I write. In fact, it’s the opposite: I write best when I am peaceful and can comfortably reflect on what’s going on inside, or what happened in the past.

This is why, many years ago, I made the decision not to express political opinions or become a writer-slash-activist. It is not good for me; it inhibits my ability to effect good things in the world through my words and my art. 🤘🤘

I see what’s happening in the world and I have spoken out on the things that matter to me. I will keep doing this when and if I choose. But I cannot make this my default setting. I will be of no use if my headspace is solely one of panic, rage and hypervigilance. I’ll never get any writing done.

So, I’m turning my energy and focus within. 🙏🙏

I’m safe at home for the foreseeable future, so I’ve decided to start my third novel as part of Camp NaNoWriMo in April. I’m aiming to have written 30,000 words by the end of the month.

I’m excited to lose myself in a made-up world again – I doubt there will ever be a better time for that than these coming months. I hope writing this new book is a comfort and panacea for me; and I hope you like it when I can finally share it!

The only way out is through. Take care everyone. ✌️✌️

Holden

When Poetry Spreads Its Wings … Into Prose

Inspiration always strikes at the least convenient of times.

This morning, it was just as I was about to leave the gym. I went for an hour’s run, pushing through the crusty fatigue of having returned to work this week, and I was riding a nice sweat-coated endorphin high.

As I refilled my water bottle (the gym’s water is so much cooler than my tap at home), I passed by one of the workers from the gym’s creche carrying a kid down the corridor. She said something dumb in that inane “I’m dealing with a child” kind of voice, jollying the toddler along, and it triggered some strange melange of memory and thought in my brain.

And, BAM, just like that: inspiration.

By the time I reached the car park, I had lines of written expression cascading out of my pores like water overfilling a swimming pool. As soon as I got into the car, I put the windows down (it was bloody warm) and grasped at my phone to open the Memo app. A few disjointed lines of what I thought was a poem gushed out of my fingertips and onto the screen.

Now, despite being pretty comfortable calling myself a writer, that usually extends only to the world of prose and, every so often, a brief foray into journalism (after which I usually retreat for a bit). But poet is not a word I am comfortable using on myself.

It’s not that I haven’t written poetry over the years. I went through a particularly prolific period from about 2005-2009 where I wrote notebooks and notebooks absolutely filled with poems and lyrics and stream-of-consciousness ramblings and other art.

And I did dabble in taking this a bit more seriously at uni, around 2008-2009, when I crafted a couple of cycles of poems that I actually thought were not half bad and my lecturers liked them enough, too. One longer collection of poems from 2009, GOOD BOYS, is actually something I’d love to revisit one day, because it was the first time I made a genuine attempt to tackle the themes and tone and style of what has now become my debut novel manuscript, INVISIBLE BOYS.

Nevertheless, I know my own skills well enough to know poetry isn’t really something I am going to pursue at a professional level. So, I spent the drive home wondering what to do with this piece. I figured I might chuck it up here on the blog, or even make it into a graphic and share it on Instagram and Twitter and, maybe if I was willing to be criticised by people in my family, even Facebook.

Once home, I chugged through my usual morning routine. This usually consists of:

  • submerging my soul in a hot shower;
  • meticulously weighing and consuming oats, protein powder and egg whites (I eat for performance, not taste, during the week, as my trainer invariably reminds me); and
  • singing unabashedly into the empty, but very receptive, living room (today’s selected tune was John Butler Trio’s 2011 album track To Look Like You).

Mid-morning, I sat down at the laptop ready to work on my second novel, for which I really need a working title that I can share, because I don’t want to share the actual working title yet as it lets on a little too much, I reckon. I’ll make something up soon. It will be a working-working title.

Anyway, I open the word document and WHOOSH. It’s not the novel that explodes from the tips of my fingers like blue streamers of electricity: it’s that damn poem again! Only this time, it’s magically rearranging itself into full sentences … and … aha!

Turns out it was prose all along; the poem I spat out in the car was just a Metapod that, once given the right space, burst free from its cocoon and spread its wings as a glorious Butterfree.

butterfree
HUZZAH!

I now have in my possession a sharp, 94-word piece of flash fiction titled VIOLET.

I might try to find a home for this one – maybe a competition, or a journal, or something along those lines. This one tapped into some old feelings – fear, bitterness, anger – so it’s going to be a spiky one and I almost dread certain people reading it.

Yet, at the same time, I want them to read it because I want them to know.

Holden

PS. Varuna blog post next week, I swear!